Digital architecture uses computer modeling, programming, simulation and imaging to create both virtual forms and physical structures. The terminology has also been used to refer to other aspects of architecture that feature digital
technologies. The emergent field is not clearly delineated to this
point, and the terminology is also used to apply to digital skins that
can be streamed images and have their appearance altered. A headquarters
building design for Boston television and radio station WGBH by Polshek Partnership has been discussed as an example of digital architecture and includes a digital skin.
Architecture created digitally might not involve the use of actual materials (brick, stone, glass, steel, wood).
[2] It relies on "sets of numbers stored in electromagnetic format" used to create representations and simulations that correspond to material performance and to map out built artifacts.
Digital architecture does not just represent "ideated space" it also
creates places for human interaction that do not resemble physical
architectural spaces. Examples of these places in the "Internet Universe" and cyberspace include websites, multi-user dungeons, MOOs, and web chatrooms
Digital architecture allows complex calculations that delimit
architects and allow a diverse range of complex forms to be created with
great ease using computer algorithms.
The new genre of "scripted, iterative, and indexical architecture"
produces a proliferation of formal outcomes, leaving the designer the
role of selection and increasing the possibilities in architectural
design
This has "re-initiated a debate regarding curvilinearity, expressionism
and role of technology in society" leading to new forms of non-standard
architecture by architects such as Zaha Hadid and UN Studio
.
A conference held in London in 2009 named "Digital Architecture London"
introduced the latest development in digital design practice
.
The Far Eastern International Digital Design Award
(The Feidad Award) has been in existence since 2000 and honours
"innovative design created with the aid of digital media." In 2005 a
jury with members including a representative from Quantum Film, Greg Lynn from Greg Lynn FORM, Jacob van Rijs of MVRDV, Gerhard Schmitt, Birger Sevaldson
(Ocean North), chose among submissions "exploring digital concepts such
as computing, information, electronic media, hyper-, virtual-, and
cyberspace in order to help define and discuss future space and
architecture in the digital age."
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